Jasso, Naco, MSilva Exhibit Cultural Art at Little Village’s Prosper Skate Shop
In an effort to share in the cultural celebration of Chicago’s “Capital of the Mexican Midwest,” three artists
known for their street art and illustrations will be exhibiting their work Friday, July 5, 2013 at Prosper skate shop located at 2620 S. Central Park, from 6 to 10 p.m. in the heart of La Villita.
The exhibit titled “Celebrating the Establishment,” honors the 40-year foundation of Mexican culture on the city’s Southwest Side.
The Little Village corridor has proven its worth and wealth and is only second to the Magnificent Mile in annual revenue. To increase the worth of the culture, these individuals hope that this exhibit encourages the creative stimulation of art within the Little Village boundaries.
Naco, Jasso and MSilva have worked together in different capacities in the past years lending a visually artistic hand to communal efforts and educational art programming on the South Side. Their next conjoined effort will go toward the development and execution of a mural, located in Little Village community, meant to spread peace, prosperity and to share in the celebration of culture. Fundraising efforts for this endeavor will begin the night of the exhibit.
Naco and Jasso have been known for their street art in the form of murals and wheat pastes along the 26th street corridor, while MSilva has leant a hand to the creation of posters, signs and banners for community events and organizations.
About the Artists:
Naco: With a BFA in Illustration from the American Academy of Art, Naco has experience in teaching and decorating underserviced communities that lack exposure to art.
MSilva: MSilva graduated from Columbia College Chicago with a degree in graphic design. He also works with various mediums such as screen printing, illustration, wood carving and paper making.
Jasso: Known for his wheat pasting and street art, Jasso works with mediums such as acrylic, spray paint and on various surfaces including canvas and fabrics.
My first love is between art and fútbol. Art is life. Vida es mi arte, I like to say. So it can be, at times, rough around the edges or it can be fine, depending on the moment. –Erick “Roho” Garcia
The wall located on 18th Place and Throop in the Pilsen neighborhood outside the beauty salon was bare for quite some time. The brown brick had room for a story, a vision and a message and Erick “Roho” Garcia wanted to bring it to life.
As soon as he had gained permission from the building owner to put up a mural, he designed it a couple of days later. Having done pieces like this one before, the design and composition of the wall piece fell into the style of a series he has been developing on a smaller scale. The series captures women’s faces over a graffiti-style, 3D lettering behind them. The most recognizable, thus far, is of Marilyn Monroe with the word “Amor” behind her.
Residents will stop to find out who he is, who the face of the woman is and to express their gratitude of the additional art beautifying the community. “That alone, is payment,” Garcia says.
As a resident of Pilsen, you may have seen him working on the wall described above, lost in music, focused on the paint. However, painting isn’t his only method of self-expression. In fact, Garcia doesn’t even call himself a painter, but an artist—an artist of the senses, more like it.
If you know anything about Garcia, you know him as a creative being and as a lover of fútbol; he usually only says it in Spanish. As a young man, Garcia threw himself into the two entities he fell in love with which have followed him as he has grown into the artist that he is.
A native of Joliet, Ill., Garcia immersed himself in graffiti and Hip-Hop, break dancing, and hanging out with his crew– The Envious Crew. Come high school, Garcia’s punishment for getting caught spray painting by his father resulted in being sent to Providence Catholic High School; away from friends, away from his life. Nevertheless, it turned out to be a blessing. It was there that he was introduced to fine art, involved himself in playing the “beautiful game” of fútbol and dabbled in theater.
His outlets and inspiration then and now are vast in variation. Keen on the beauty of creation, Garcia’s combinations show him to be unique in his collaborative mediums. From spray painting to acting on stage, mixing music for friends to dancing, Garcia surrounds himself with ways to be expressive.
His pieces of work are vibrant and lively. Filled with a mixture of blues, greens and yellows, Garcia implements what he knows onto the canvas, paper or wall he has to work with. “I’m an artist who paints on walls,” he says.
The feeling is urban, the look is imaginative. In a forward movement of experimenting and creating, Garcia carries his foundation in graffiti and love of indigenous Mexican cultures with him. It’s inevitably in all pieces, mixed with detailed human figures and faces. This is his own form of art that he’s called it “Graffiti Fine Art.”
Staring at pieces and looking at the movement, details and colors, there are almost hidden eccentricities to be discovered if you let your imagination run away with it.
In the past few years, the 28-year-old has been recognized for his soccer pieces; his attempt of capturing players in motion, depicting the essence of the moment, whether versus an opponent or oneself.
Graffiti based over an explosion of color, Garcia’s skills have helped him develop a knack for motion. Working on large-scale pieces, solely because he felt limited by smaller canvases, Garcia created five-foot-tall images of Javier “Chicharito” Hernandez, Ronaldo “Ronaldinho” de Assis Moreira and Lionel Messi—some of the greatest in the game.
As a student at the American Academy of Art, Garcia took a chance on himself and his love for fútbol and tried out for the Chicago Storm, a team in the Ultimate Soccer League.
“I made the cut and it was during finals weeks at the academy and that was tricky,” he says. “My art took a little damage in terms of not spending enough time on it.”
Choosing between his love for art and his love for soccer may have resulted in a sign that he should stick to art. The Storm didn’t return to the league the following year.
During late nights, it’s common to find Garcia mixing music, painting or writing, gathering focus in a whirlwind of motivating stimulation. Lights on, a movie on the muted television, classical music playing in the kitchen and up-beat music playing in the living room is a consistent atmosphere for his creations.
Working on his own pieces, the After School Matters instructor also works on pieces for class, developing a curriculum and method of teaching best for either his high school or elementary school students.
For Garcia, being an artist is a lifestyle full of passion and life. Whether he is acting as DJ, painter, writer or futbolista, he surrounds himself with creative energy and art.
“An artist should experiment with all types of mediums. I always keep myself really busy,” he says. “I’m an artist. Art is life, that’s the simplest explanation I can give.”
I met people, made mistakes and tried to make better by doing what I love. Every artist is trying to do what they want to do and express themselves. –Jay Jasso
Walk down 18th street in Pilsen and the walls come to life. You’ll see murals and unique cutouts pasted to the exposed brick walls or on wooden boards keeping squatters out of foreclosed businesses. Look up and see a female face wearing black sunglasses and bunny ears. Glance across the street and see Emiliano Zapata, celebrated Mexican revolutionary, with a light saber straight out of Star Wars.
Sitting on the ground with her back against the wall, you’ll find Frida Kahlo, famed painter, with her legs crossed in a skirt wearing fashionable red sunglasses and a Hello Kitty decoration in her bun– A firm example of iconic, contemporary symbolism in the streets.
The reaction from many is laughter—a smile at the very least—upon seeing something that speaks to them culturally with some sort of modern twist; mixing the pot, blurring the lines and defining a culture that lives in Chicago. Another example of these wheat pastes is Subcomandante Marcos with a Captain America shield.
The question is: Who has been revolutionizing the revolutionaries?
Known best in the community by his last name, the 23-year-old Jay Jasso (said Hasso) has been creating these forms of public art and posting them around Chicago’s south side for only two years. Not nearly as long as other street artists who have been leaving their mark for triple the time Jasso has. Yet, it is this young Banksy-comparison who has been turning heads, initiating a conversation and informing the public about something he’s very well-versed in.
Without any “formal” training, Jasso started with spray paint, tagging graffiti-style in the middle of the night. Eventually, watching graffiti videos and learning the art of wheat pasting – glue made from water and flour to paste paper to walls—Jasso found himself creating just to create and wanting to make a statement.
Upon meeting Ricardo González, who goes by “Naco” on his wheat pastes, the exchange of capabilities and ideas seeped into each other’s creations. González began on his wheat pasting adventures, while Jasso learned from González’s illustration and fine arts background.
“A lot of what I learned about painting, came from him,” he said. “I had a lot of great classes just by watching and [the artists] don’t even know it.”
The street artist moved into developing his knack for the fine arts and abstract style, using paint and brushes on canvas or any other material that absorbed his paint—bed sheets, synthetic leather, fabrics. During the week, Jasso not only paints in solitude, but builds his own canvases, heavier and sturdier than anything on the shelves of Blick or Michael’s.
While a student at Farragut High School, Jasso took art classes, though focused more on his graffiti work. After graduating high school and heading into the National Guard for three years, relief of tension came through art, leaving soccer in a distant past—another tension reliever for Jasso as a teenager.
Growing up in Little Village, the now Southwest Side artist grew up with expanded insight and education into the Mexican culture.
“I started posting in Little Village because I was from there,” he explained. “With time, I wanted to do stuff and relate it to the people that live there.”
Surrounded by Mexican education about those who made an impact for the people, Jasso absorbed every little piece of it. Spending time in Mexico, he grew to feel a connection to the country and felt the need for its exhibition now more than ever.
“I want to teach them a little bit. I’m not a teacher but I know my culture–at least the basics and everyone should know it,” he said. “I guess I try to connect with people. Nieces, sisters, brothers, nephews, those are the people I want to connect to.”
For example, Jasso’s most popular pieces don’t necessarily have a message but carry an idea. Taking on the Jedi Zapata was the creation of “a modern revolution for an old cause that’s still going on,” he said. Taking the image of Zapata who represents revolution and mixing it with the Star Wars light saber representing a futuristic fight for freedom, Jasso’s image represents the contemporary battles over the issue of immigration.
The popular Frida Kahlo image that has been reproduced in different ways for decades was reproduced by Jasso in order to educate his nieces after realizing that they weren’t getting the same education about historic Mexican artists he did as a young man. He had gauged their interest after adding a Hello Kitty logo to her.
“Culture is very strong when I do my art. I do cultural or pop art culture,” said Jasso. “I create strong figures from Mexico or here and I mix them with a Pokéball so that the older generations can see it and say, ‘Oh, that’s cool’ and relate and then the younger generation can say, ‘Hey look, a freakin’ Pokéball. Why is it next to that dude with the bigote?’ So they investigate and find out who he is.”
However, once his art goes public it becomes a way to talk to the masses. The reason why pop art works is because it captures everyone’s attention regardless of ethnic culture; taking the images and making them relevant to society.
“I appreciate people who appreciate our art. I try not to make art for one group of people. I try to make it for everyone,” he explained.
Choosing the locations for his wheat pastes is a sticky endeavor. From experience, Jasso already knows where his art is welcome or not, whether it will get torn down or whether it’ll stick at all. Nonetheless, cruising around Little Village and Pilsen are common when on the prowl for an instant street gallery.
Although many have yet to put a face to the public art displays, community residents are starting to find out who Jasso is more and more. From meeting him at street festivals and piecing together the imagery with what they have seen on neighborhood edifices, or following his work on Instagram or Facebook, the public is becoming curious as to who the hand is behind the brush.
“If you can communicate with the audience then people are going to value your work. In a way, I force people to see it because it’s out there. It’s public art,” he explains. “The exposure that I’m getting from putting it out there, works. People are going to start questioning it and wanting to know more.”
Fortunately, they already are.
I take a lot of influence from a lot of artists around this neighborhood and Little Village. I’m always getting new inspiration from people.
– Ricardo “Naco” González
Wearing a blue-grayish hooded sweatshirt, Ricardo González’s nose was red from the cold. He stood next to his table of pieces of artwork as people walked by, glancing and admiring the work.
“Are you the one that puts up those pieces on 26th street?” one woman asked.
The people who walked through Mole de Mayo on an unusually cold day in May in Pilsen already knew González for his work without knowing who he was. Among the various pieces wheat pasted to the exposed brick in Little Village and Pilsen neighborhoods were giant paletas, cupcakes, a Ninja Turtle and ice cream cones all signed by the artist “Naco.” Clones of the pieces made by hand are put up every few weeks, whenever the weather gets nice enough to walk around the neighborhood.
However, that’s somewhat typical of González’s character. He’s the guy that is always there, commenting on art, talking to artists, smiling and being a lively, positive figure to be around. Then the question comes: “So, what do you do?”
People have met him not knowing that he is the one brushing glue onto cupcakes in the middle of sunny afternoons, the same ones they admire on their daily route to work.
González, a native of suburban Blue Island, didn’t start as a wheat paster. In fact, his wheat pasting work was inspired by another street artist who goes by the name of Jay Jasso. No, instead González carries the capacity and desire for murals; telling stories, educating a community through art and making an impact. Small acrylic pieces, like those sold at street festivals, are only a small sample of the large-scale pieces this artist has exhibited throughout Chicago’s South Side.
A thorough communicator when it comes to art, González has been teaching classes right out of college. From water-color classes for adults, to murals with the After School Matters program, the thought behind his process and explanation without a doubt comes from the formal training. With a BFA in Illustration from the American Academy of Art, the broad pieces that this artist creates come with extensive amount of admirable detail.
Though quiet and always welcoming, the ambition to move projects is innate. However quickly he is known to work on particular art pieces, González takes his time to make sure the research for the pieces are accurate, representative of the community, rooted in culture and open to interpretation of the audience at hand. Maintaining and respecting the community is of utmost importance to him, as is the cultural significance behind canvas, murals and even his wheat pastes.
However, a few of his wheat pastes are just for fun like an ice cream cone with a bomb or a Ninja Turtle.
“You put that up?” asked another passerby at the Mole de Mayo festival, while pointing at the grimacing turtle head. González nodded.
“Check this out,” he said. He lifted his iPhone and unlocked it to reveal a photo of González’s wheat past as his background.
“Oh, cool,” González said smiling and nodding, in his own way appreciative each time someone acknowledges his art, especially in such a personal way.
Growing up, the 29-year-old artist wasn’t surrounded by his Mexican culture. Art pieces as a child were drawing cartoons even before he could speak. Yet, as he explored the Chicago area more and more, he found the Mexican neighborhoods on the South Side that he grew to love: Pilsen and Little Village.
“For the majority of the work that I’ve made, I’ve specifically created Latino or Mexican imagery and concepts. I speak to that audience just out of a service,” he explained. “I feel responsible. If I’m making artwork, I should make it something that matters to people of my culture.”
Deciding that he wanted to go to art school wasn’t hard. Unlike those who may take two years to choose a major or second guess their college education, González was never confused on what he was going to do.
“I needed to figure out for myself as to what I wanted to do with it, but I never felt that I was wrong for it,” he said.
While exploring the city, González met many other artists, building his network around Chicago and making a name for himself as a hardworking and talented creator.
Additionally, González decided to take it upon himself to collaborate with various artists with different capacities. Creating a mural with Erick “Roho” Garcia and working with photographer Israel Reza for wheat pasting materials are only a few of the collaborations in which González has immersed himself. Challenging himself with new projects, (for example, teaching students to create public service announcements for a journalism class) is part of his repertoire.
Over time, González has fallen deeper into his work with creativity, following a path that has been laid for him. Regardless of the recognition that González has received for his street art, his large paintings and murals, he has kept a humble and distinctive personality, which he claims, came from his life in art.
“For me, it has guided my life. For each era of my life, I’ve been able to tie it down to artwork or things I was creating at that time,” he said. “Most of my lifestyle comes through that or with that. I feel that it’s guided me toward positive place. I’m still putting things together like anyone else.”
“I’m ready to take that next level and pursue my career further. This is a stepping stone for what’s to come.” –Lex Boogie
Since the age of 14, Lex Boogie already knew he wanted to step into the music business. Growing up in Logan Square, on Chicago’s north side, the part Irish, part Puerto Rican was surrounded by the heavy-based, urban flavor that has represented Chicago for decades.
On May 30, Lex will drop his second EP titled, “The Guapo Slim EP.” Excited to be moving this year-long project forward, the 29-year-old says that inspiration for the seven listed tracks derives from everything he has experienced; from his daily 9-to-5 to past relationships. Compared to his first EP, released in 2010 “Work Hard, Play Harder,” this project is a step in the progressive, developmental direction and is reintroducing Lex Boogie as an artist on a different level.
“This is more grown. It’s more listener-friendly. Other artists can tell that I’ve grown as an artist when listening to this,” says Lex. “The snowball is growing. Every time I get back in the studio, I feel better than before.”
The music that Lex produces aims to set a bar, not only for himself as an artist, but for the whole Hip-Hop community.
“My work is really positive. I don’t say anything negative about anybody. I don’t feed into that machine,” he said. “It’s trying to set the bar, set the tone of what Hip-Hop should be nowadays.”
In addition to setting the bar, Lex also infuses the ethnic cultures that he can’t separate himself from. “Both Irish and Puerto Rican cultures play into my production,” he said. “Both sides have a heavy influence in who I am today, as far as my music goes.”
For this artist, the opportunity to work with other game-changers has been a blessing in itself. Tracks featuring Chach and 360-Tha Mack, will be found on “The Guapo Slim EP.” Producers of the EP include The Beat Boys, Ty Trax, Serious Beats, Custom Made Beats, all of whom have inspired the work that was put into the EP.
“I’ve been blessed with people who have been schooling me on what to do and what not to do,” said Lex. “Every time I meet up with these guys, it’s always a learning process. As I continue, I’m only working harder.”
“The Guapo Slim EP” is only one of three projects Lex plans to drop this year alone. “If people enjoy this, they’re going to love what’s coming next,” he said. “This EP is a transition that’s going to move into my next project.”
I paint my own reality. The only thing I know is that I paint because I need to, and I paint whatever passes through my head without any other consideration.
Three years ago, I was part of a two-person team to start-up and manage “Art of Fútbol,” an artistic presentation of artists in the community who created pieces that dealt with soccer and all of its glory. As a partner with Arte y Vida Chicago and Chicago’s MLS team, this gallery exhibition was hip and cool. We went through plenty of submissions, got into some good arguments and eventually presented a successful event at the Puma store in a prime location in Chicago.
Of all of the artists who exhibited, I made a few friends, a couple of whom are great friends of mine now, three years later. The initial exhibition was free and got people engaged and involved. In its third year, it now belongs to a foundation, has lost our teams working on it and they are now charging for entry. I don’t know if anyone is being paid, but I’m sure the proceeds of the attendance all go to the foundation.
I only attended the inaugural event, but what I saw was amazing. A friend of mine created a very large version of Javier Hernández Balcázar, famously known as “Chicharito” the Mexican soccer player, kicking a ball. It was astonishing. Urban, colorful and well executed it was no doubt that it won the people’s choice for their favorite piece. It hadn’t been the first time I saw art of this creativity or level, but it was the first time I had actually met the artist, only to find a fashionably dressed painter and soccer player who was a neighbor, and eventually became a friend.
The level of creative genius that exists in Chicago is not original, by any means. And more, I have come to feel that many of these talented masters of the brush, pencil, camera and spray paint can have been overlooked. It is almost a detriment to the art world to know that people of this caliber– talented, creative, inspiring, philosophical, insightful– are not being given the time and attention that they deserve as creators who make this world more beautiful to look at.
I have seen drawings before my eyes that happen as quickly as waving a magical wand. I have watched as lines on a canvas came to life, moving through a piece, creating words, figures and sparking the imagination. I have spoken to those who can and will one day be considered philosophers of the craft. I have watched as imagination has been ignited like wild-fire only to produce colorful explosions that I want to keep and frame, even if it is only for a newspaper. I have had pieces of art, inspired by these wondrous souls tattooed.
Recently, it was brought to my attention that many artists around the country come into Chicago to display and show off what they’ve been working on. Urban art. Street art. Mixing graffiti with fine art. Developing “new” styles to be exhibited and shown. However, as quickly as I noted that this was great, I also countered it with, “That’s happening right here.”
I also noticed that the cultural tie, the Latino artist tie, was not as prevalent around the country as I’d like to think. There are a few in other highly populated Latino cities, however, the blatant cultural, statement-making ties do not exist as much as they should and again, I have seen my fantastic city overlooked as a place where art is happening.
It’s time to start sharing what’s going on here. So what am I going to do about it? I’m going to write about it. This is the beginning of a series of articles and pieces that will focus and talk about particular artists making waves in Chicago. Whether it’s a movement or a statement, I cannot say, but what I will say is that Chicago has a tradition of beautiful, moving, cultural art that would make any person go gaga upon knowing they could shake hands and speak to the artist.
I’ve seen that. I met a woman at a bar who lives in Pilsen. Upon talking, we got onto the discussion of street art. She showed me wheat pastes that she had taken pictures of on her phone. She went through plenty and when I said I knew who had created them and introduced her, she was ecstatic. “I’ll be right back! I have to go tell my friend!” she said as she scooted out of the booth we were in. I was thrilled to help her make the connection.
So, the Chicago tradition lives on, especially on the South Side. Displayed on our walls, created in our homes, the waves of creativity and inspiration continue to happen whether we want it to or not and it will be a constant. It’s just time to start showing off what Chicago has to offer and as a grounded, rooted and staunch supporter of Chicago art and insight, I’m hoping to do that for you.
Over the next few weeks, you’ll be able to find insight into who is creating these wondrous works of art and hopefully you find value in it. Enough value to, let’s say, attend a gallery opening or even pay to see some art about soccer. At the very least, ask some questions of your own and get out to support the arts.
“In India people with disabilities, who constitute almost four to eight percent of the population are still fighting to get equal access to healthcare, education, employment and inclusion in society. Despite the magnitude of the issue, both awareness of and scientific information on disability issues are lacking.”
Award-winning freelance photographer Ken Carl will be displaying various photographs from a spiritually-altering trip to India where he was sent to capture the essence of the Latika Roy Foundation, a resource center for children and young adults with special needs. Calumet Photographic, 1111 N. Cherry Ave., will host the display from May 9 to June 2, 2013.
Through an opportunity with Momenta, an international journalistic based organization focused on creating unique opportunities for photographers and non-governmental organizations throughout the world, Carl’s goal was to expand his knowledge and horizon, capturing a glimpse of life in a part of the world with which he wasn’t familiar. In the end, Carl obtained much more of this venture.
Regardless of Carl’s years of experience and expertise, the project came with challenges. “After two days I just felt a sense of failure and it was really hard,” said Carl. Going through the initial photographs, Carl didn’t feel as though he was capturing what was necessary. “I thought, ‘I’ve been given this amazing opportunity and I can’t get an image out of it.’”
With that, Carl took advantage of the days he had left. Along with integrating himself even more at the foundation, he asked for permission from the executive director of Latika Roy Jo McGowan to visit students at home and photograph them along with their families.
During his visits, Carl was able to capture nothing short of amazingly true images that exhibited the struggles and realities of families with their special needs children.
“These children have disabilities yet that fact is not a barrier to being a positive light,” said Carl. “The human spirit can never be disabled.”
Two years later, with photographs full of color, emotion and joy, Carl is ready to give people outside of India insight into the school in Dehradun and bring awareness of those with special needs.
“This trip brought and heightened awareness in my photography,” he said. “I want to share the message that joy is possible through sharing, caring and treating each other well.”
Dates of Exhibition: May 9, 2013 – June 2, 2013
Reception: May 9, 2013 from 6:30 p.m. – 9 p.m.
Location: Calumet Photographic Chicago, 1111 North Cherry Ave.
Information on the event can also be found on Facebook.